Marketing with Video and Rich Media Blog

Sears employs online video to supercharge it’s online and in-store retail

new selina

My 14 year old thinks Sears is cool. So does my 82 year old father. Go figure.

Sears launched a major marketing initiative this summer called  Arrival Lounge to highlight to it’s younger target audience that you shouldn’t just go back to school – you should ‘arrive’ back to school- suitably attired in Sears back-to-school fashions. Sears hired Disney Channel celebrity Selina Gomez to lead the marketing program which is centered around it’s arrivelounge.com website. The site includes music, celebrities, dancing, backstage passes, coupons, behind-the-scenes features, air-band contests and high quality video production. Sears has done all of the requisite cross-promotions with social media sites like YouTube and Facebook and has also developed tie-in programs with MTV. The program has been a huge success for the company.

What makes this campaign particularly interesting is the company’s use of web-based video. Sears has comfortably broken a couple of web-video barriers (launching music on the site without asking and also playing full screen – albeit lower res -  video) and seem to be employing a video first and ‘text as support’ approach which until now has been the other way around. Video has traditionally been used as support for the text that appears on a website.

While it certainly makes sense that retail establishments targeting younger demographics would lead the integration of video marketing into websites this isn’t the beginning of the end, it’s the simply the end of the beginning (it made more sense when Churchill said it…). What we are seeing with sites like this is a glimpse beyond the ‘text web’ – the integration of broadcast media and rich media programming into what until now has been a static content delivery environment. Sears isn’t the first company to take this approach but given their history and positioning in the marketplace it is a significant departure from it’s traditional marketing activities.

The short term consequence will be a surge in rich media web video production – a lot of it quite awful (remember the first websites) and unfortunately will favor those with traditionally larger marketing budgets. That said, the clever use of social media channels could turn out to be the great equalizer between large and smaller companies.

1980′s 10 point Video Marketing Checklist:

1980′s 10 point Video Marketing Checklist:

1. Smokin’ hot models? Check.
2. … with big hair? Check.
3. Flashdance-style soundtrack? Check.
4. Wicked locations? Beach & Ghost town, check.
5. Incomprehensible video plot? Check.
6. Popular movie to rip-off (pay homage to)? Footloose, check.
7. Disco dancers? Check.
8. Neon? Check.
9. Product? Yeah… it’s butt-ugly but the client wants it in the shots (stupid client). Check.
10. Cultural Reference? It’s a French car, we couldn’t get the guy with a beret on a bicycle carrying a baguette so we went with mimes. Check.

In many ways the eighties were a cultural wasteland. This marketing video for the Renault Alliiance (Convertible) represents that era well. At over three minutes I can’t imagine where this video would have been shown (Disco’s?) but considering the obvious investment in staging, sets, choreography etc. it must have had an audience. It’s fun to watch but I’m not sure why. What’s the opposite of nostalgia?

Frequency – the next frontier for online marketing video?

 

 

Much of the attention to date for online marketing video has been around single viral videos that, if the stars are in alignment, spike a few weeks after release with hundreds of thousands of views and then die a relatively quick death.  Reach is good – if your viral video takes off, but that’s no way build or sustain a market.

The ‘Will-it-blend’ series by Blentec was a great example of a well executed series of viral videos that helped sell a lot of Blentec blenders. Had Blentec stopped at the first video they would never have achieved the same level of success.  Which brings us to the Sons of Maxwell…

Dave Carroll – the lead signer for the Canadian band “Sons of Maxwell” promised that he would create three separate music videos to express his anger over the mistreatment he received after United Airlines wrecked one of his guitars and then did not take responsibility for their actions. The first video has received over 5 million views on YouTube alone. United is still reeling from that musical beat-down.

While the second video (above) will never get close to doing the numbers the first video did, it was very smart to create a series of videos to keep the momentum going and to keep his newly acquired fan-base in touch with the band. The second video is rather catchy and it’s fun to watch. The video also serves to showcase the musical range of the band which could help broaden their longer term fan-base.  Video three, when released will undoubtedly be different again, and will further reinforce the name and music of the Sons of Maxwell band.

Frequency of message – always important to the success of broadcast marketing, will start to play a larger role in online video marketing.

Video marketing and video conferncing to emerge from recession

Interestingarticle in TechTarget’s Search CRM portal that looks at the two ‘tecnologies’ that they see emerging from the recession: The use of video conferencing to save travel costs and the use of video in marketingbecause of the lower cost of production and distribution of video combined with the effectiveness of the medium.

The article goes on to forecast that these two technologies will figure more prominently in the CRM suites.

New Fedex Video? What’s the opposite of viral?!

 

 

Dear Mr(s). Fedex marketing executive,
1. What were you thinking?
2. What’s the point?
3. Did you test these before releasing them?
4. How did you pick Fred Willard…?
5. What’s the point?

If these videos were created by a local company trying to establish themselves in a tough local courier market I would be inclined to think WOW, these guys put a lot of time and money into this series – good first effort and I’m sure you’ll learn from this one and do better next time. But this is Fedex. A global brand that is struggling financially that should be working really hard at positioning itself against regional and global competitors.

Fedex chose this year to pull out of it’s yearly Superbowl advertising after an 18 year run. I guess they spent the money on this instead. Bummer.

Fedex has created a series of ‘infomercial spoof’ videos that were obviously intended for ‘viral distribution’. These will never be anything close to viral. Fedex has launched a YouTube channel called `Getinfoatained` to house these videos. I am always surprised (and honestly frustrated) when huge international brands with huge international budgets miss the mark on such a grand scale. 

Contrast these videos with the excellent series of whiteboard commercials that UPS developed recently. The UPS videos are simple, easy to understand, represent the company well and communicate very effectively the specific points that each video is designed to deliver. By contrast these Fedex videos are waaaay over the top and Fedex just comes off looking like they are trying far to hard to entertain. I imagine there is some real information in there somewhere but I’d be surprised if recall tests on these ads produced anything more than acknowledgement of Fred Willard being campy. If there is any branding value delivered I would guess it is negative. There is nothing good here to associate with Fedex - they aren`t funny, engaging, shocking, or interesting. Perhaps the worst criticism is that they would have been more effective if they were a little bit worse because at least then more people would have been talking about them.

My recommendation would be to pull them quickly and start over. 

 

 

 

http://www.nytimes.com/2009/07/20/business/media/20adco.html

 

Barclay’s new video does great job of positioning the bank.

Barclays’ new video delivers what advertisers strive for but so few are able to deliver:

The video has a simple but powerful message, it is memorable and it is very well produced.  Sure,  when you’re the worlds fourth largest financial institution you can afford to invest in quality, but spending money is no guarantee of success. Barclay’s does a great job of positioning itself against the current backdrop of global uncertainty as a pillar of strength, a place to turn that isn’t a house of cards or a financial facade.

Is it true?

Who knows? They bought Lehman Brothers last September and inherited a ridiculous amount of debt. China and Qatar now own (and control) a big piece of the company. But it’s advertising we’re talking about here – it’s perceptions that matter. This ad delivers a very convincing message – Barclay’s is un-fake, it’s solid, it’s there when you need it – when everything else around you seems to be falling apart. That’s  a powerful message.

The production values are incredible. It feels more like a movie than an ad and it manages to build your interest right up until the big payoff at the end. I doubt it will make big viral numbers and it won’t have the same impact if it is cut down to 30 seconds. This would be a great ad to run at movie theatres.  (I hate movie theatre ads too… unless they are really good.)

If Barclay’s reality matches the perceptions delivered in this ad then they are in good shape. If not, they’ve still done a great job at positioning themselves in a turbulent financial marketplace.

Evian’s brilliant roller babies… but it’s still just water, right?

It’s just water, isn’t it?

For some reason the French are really good at branding. Who else can get you to spend hundreds of dollars on a scarf or a little bottle of perfume? You would think that water – the ultimate commodity (the ‘air’ market hasn’t fully matured but I’m sure “l’air” will be at the high end…) – would be really, really difficult to brand. The French ‘own’ two of the best known water brands: Evian (owned by Danone – a French company) and Perrier (now owned by Nestle – a Swiss company). The ‘informed’ ask for branded water. The uber-keen insist on it. The well-healed bath in it. It’s still just water.

If you want to maintain position in a  highly competitive, commoditized market you have to remind people how important your brand is – which brings us to the roller rappin’ babies.

This video has ‘viral’ written all over it. It’s clever, it’s surprising… verging on astonishing and it’s fun to watch. Way to go Evian. What do babies have to do with the Evian brand – nothing. You can certainly make the arguement, as Evian does, that drinking their water keeps you young but I can imagine a hundred other brands (Pampers?) who would have benefited more from the visuals in this video.

Does all of that matter? Probably not. Evian benefits by associated itself with a really good viral video (and ad) and continues to keep its brand front and centre.

This video also demonstrates that there are now very few technical barriers stopping video developers from creating ‘virtually’ anything they can imagine. It is possible to make people believe that almost anything is ‘real’ – like drinking special water will keep you young.

Air New Zealand’s naked flight safety tips

Air New Zealand has developed an air safety video that has already received over four million Internet views. Given the subject matter, that’s quite remarkable. Sure the people delivering the instructions are naked (except for body paint made to look like airline uniforms) but that’s not what has everyone’s attention, is it?

It’s a great creative concept that is well executed. The video is fun to watch, the production values are very good and it manages, for whatever reason… to keep your attention. Try as you might you’ll see very little ‘skin’ in the video. The video also does something which may be more important than imparting valuable safety tips to its passengers – it positions the airline as a creative and open-minded organization. It’s difficult to imagine a North American airline approving this creative concept – and yet I can also imagine many of those same disapproving business leaders asking ‘why don’t we do something like this?’ around the executive water cooler.

They also follow-up with some bloopers – another smart idea as ‘related video’ material is becoming standard fare for web-based video campaigns. The true mark of success will be if a legion of parody videos develops around this concept.

Video In Rich Media Ads More Likely To Lead Customers To Purchase

Rich media with video drives success more than four times that of Flash according to a  new report from DoubleClick and Dynamic Logic. This is just one of many findings detailed in a survey commissioned by Google that looks at the impact of ad format selection on branding results.

According to the reserach, online ads using audio and video achieve a greater impact on Brand Awareness at a lower frequency exposure frequency than other standard online ad formats. In fact, exposure to audio/video ads increases Brand Awareness by 10.0 percentage points.

Exposing viewers to ads containing video also increased the ‘favourability’ of the brand. Viewers perceptions of the brand were more positive simply because of the presence of video – as compared to static or animated flash ads.

Video ads also had significantly higher (aided) brand awareness scores compared to other rich media and static ads.

Bottom line – the study indicates that people who see video in a rich media ad are more likely to make the purchase – compared with static images or flash animation. Considering the prevalence of non-video based ads on the web this study should be a wake-up call to agencies who continue to build static web-based ads for their clients.

State of Florida misses the ‘social’ mark in new video promotion

 

Good effort…  but the execution is off the mark.

Like every tourist destination in the world, the State of Florida is looking for new ways to attract visitors during tough economic times. They engaged  Spark - a Tampa agency to help them build a ‘social video campaign’ to spread the word and ‘Share a little sunshine.’

The promotion began with the above video which is basically a call to action to all Floridians to help boost tourist trade – an integral part of the Florida economy. So far so good.  {Unfortunately the campaign got off to a bumpy start as many YouTube posts complained that the poster board concept (which goes back to  Bob Dylan’s 1965 Subterranean Homesick Blues Video video) was ‘stolen’ from a very touching YouTube video entitled Mark by Ben - a plea by a Florida boy to help find work for his father.}

A website and promotional campaign was created to encourage keen Floridians to pass along the good word. The website includes one of three commercials – ‘Romance’, ‘family’, ‘friends’ that participants are encouraged to forward with the promise of a chance to win valuable prizes with each new email sent.

 The State missed a huge opportunity here. Offering a prize for emailing these videos to friends and family is a good idea but I don’t think it’s enough. Sure it’s easy to do and sweepstakes and contests will always guarantee a certain amount of interaction. I just don’t believe that the recipients, if they actually watch the commercials, will care. If someone sent me an email with a tourist commercial from their town I may start watching it, but it better be really good, or have a compelling message or story. These videos were obviously created on a very tight budget and certainly don’t reinforce all of the beautiful stereotypes of the Sunshine State. These stereotypes,  (Eiffel Tower, Venetian Canals, Manhattan Skyline, etc.) are one of the main reasons people choose travel destinations. Yes, reminding people of important social hooks (friends, family and romance) is interesting but there is limited direct connection to Florida other than the fact that someone from the state may (or may not) have forwarded it to you.

There is a place for high quality video and a place for lower-budget video. The problem is that the lower quality video better have something else going for it or it won’t get noticed.

A better option would have been to create or purchase a lot of excellent quality b-roll video and encourage Floridians to create their own tourist videos using as much of the supplied high quality b-roll video as they wanted. The uptake might have been more limited but the viral potential for these videos would have been a hundred times greater – as would the impact.

A contest to forward commercials is not a social marketing campaign, it’s a contest – that’s it. Give people the incentives (the contest and the ‘Help support your state’ video) AND give them the tools to create compelling videos with themselves in the video – now you have the potential for some exponential growth in both viewership and impact.

Some videos would be great – especially if you give the people excellent source material to insert in the videos and some would be pretty bad. But even the bad ones would be good because they would have real people in them and these people would want to forward these videos on to their friends and family and their family and friends would want to watch them and forward them on to other people.

Unfortunately, this campaign results in the worst of both worlds – lower budget commercials with limited social uptake.